True To You - Releases

Morrissey Releases

Mon, 14 Nov 2005 20:10:46 -0500

The Releases section features news and information about Morrissey releases.

For information about Morrissey's most recent albums, singles, and videos, please see Albums, Singles, and Videos.

Morrissey Videos

Fri, 28 Oct 2005 21:26:15 -0400

The Videos section features information about Morrissey's most recent videos.

For news and information about Morrissey releases, please see Releases.

Morrissey Albums

Wed, 26 Oct 2005 05:12:32 -0400

The Albums section features information about Morrissey's most recent albums.

For news and information about Morrissey releases, please see Releases.

Morrissey Singles

Tue, 25 Oct 2005 21:23:00 -0400

The Singles section features information about Morrissey's most recent singles.

For news and information about Morrissey releases, please see Releases.

Glamorous Glue ranks as the third best-selling vinyl single of 2011 in the UK

Tue, 24 Jan 2012 12:48:15 -0500

24 January 2012

Official figures have been published in the UK for best selling vinyl releases of 2011, and Morrissey's 1992 version of 'Glamorous Glue', as issued by Major Minor (for EMI) ranks as the third best-selling 'single' disc of the year.
The final top ten is:

1 Beady Eye 'The Roller'
2 Beady Eye 'Millionaire'
3 Morrissey 'Glamorous Glue'
4 Beady Eye 'The Beat Goes On'
5 Noel Gallagher's High Flying Birds 'The Death of You and Me'
6 Arctic Monkeys 'Don't Sit Down Cause I've Moved Your Chair'
7 Noel Gallagher's High Flying Birds 'AKA..What a Life'
8 Beady Eye 'Four Letter Word'
9 Miles Kane 'Come Closer'
10 Manic Street Preachers 'Postcards From a Young Man'

Statement

Sun, 15 Jan 2012 14:44:03 -0500

15 January 2012

Morrissey will travel to Japan in April where he will undertake ten concerts. It will be the most detailed tour of Japan ever undertaken by Morrissey.
There are plans to follow the Japanese tour with concerts in Thailand, the Philippines and New Zealand.
Full details of the Japanese tour are expected to be announced within the next week.
Also in April, EMI Records will issue the single 'Suedehead', as remixed by Ron and Russell Mael. The single is 3:35 in length, and will be issued as a CD release and a 10" picture disc, both using previously unseen photographs of Morrissey.

Southpaw Grammar

Wed, 11 Jan 2012 01:49:25 -0500

10 January 2012

As of March 1st 2011, "Southpaw Grammar" was removed from the BMG/RCA catalogue, and removed from the Sony Legacy catalogue (re-issue), and will no longer be issued or sold by either company.
The CD remains available on the original 1995 Reprise US pressing only.

Of Which I Am Most Proud / singles: List from Morrissey

Tue, 10 Jan 2012 12:36:19 -0500

10 January 2012

Of Which I Am Most Proud / singles
List from Morrissey

1) First of the gang to die (2004) #6 UK

2) Irish blood, english heart (2004) #3 UK

3) I'm throwing my arms around Paris (2009) #21 UK

4) That's how people grow up (2008) #14 UK

5) Panic (1986) #11 UK

6) Girlfriend in a coma (1987) #13 UK

7) Let me kiss you (2004) #8 UK

8) Everyday is like sunday (1988) #9 1988, #42 2010 UK

9) You have killed me (2006) #3 UK

10) All you need is me (2008) #24 UK

Of which I am most proud: List from Morrissey

Tue, 27 Dec 2011 14:50:18 -0500

27 December 2011

OF WHICH I AM MOST PROUD
List from Morrissey

1 Years of refusal (2009) #3 UK, #11 US

2 Ringleader of the tormentors (2006) #1 UK, #27 US

3 You are the quarry (2004) #2 UK, #11 US

4 Vauxhall and I (1994) #1 UK, #18 US

5 Strangeways, here we come (1987) #2 UK, #55 US

6 Rank (1988) #2 UK, #77 US

7 Louder than bombs (1987) #38 UK, #62 US

8 Bona drag (1990) #9 UK, #59 US

9 Southpaw grammar (1995) #4 UK, #66 US

10 Your arsenal (1992) #4 UK, #21 US

Statement 21 December

Wed, 21 Dec 2011 21:53:22 -0500

21 December 2011

Statement 21 December

Thank you for a fantastic US-Mexico tour. I am anchored, delighted, and pale with gratitude. The reception in Mexico was beyond words. No attempt to describe could do justice.

Most stirring of all:

1 CHICAGO, US
2 MEXICO CITY, Mexico (second night)
3 MEXICO CITY, Mexico (first night)
4 PUEBLA, Mexico
5 GUADALAJARA, Mexico (first night)
6 MONTERREY, Mexico
7 SANTA FE, US
8 LAS VEGAS, US
9 GUADALAJARA, Mexico (second night)
10 PHOENIX, US

BELLY FLOP: the Shrine, Los Angeles. When it goes wrong, it certainly goes wrong, and this venue is an open slum. Degradingly, the front of the hall is an orchestra pit so lowered that I found myself singing to a mass of hair. The people at the front - who possibly paid the most - were quite literally down a hole. It was embarrassing for me, and surely humiliating for them.

I stopped the show at the Royal Oak Theater in Michigan in consideration of the audience - who were being unashamedly assaulted by the in-house security. It is difficult to watch this happen, especially when our friends (such as Douglas) are being forcibly choked to death simply for being there. If such attacks happened at the opera or in a night-club, the victims would rightfully sue. Strangely, in-house security sense that they have freedom to manhandle patrons of 'rock' shows. I wonder why? You all know how to contact the Royal Oak Theater. The Head of Security at the Royal Oak was the one inflicting the most damage. He obviously thought he was still down at the abattoir - or wished he were.

We had been over-cautioned so continuously about dangers in Mexico, yet we met nothing at all but great support and warmth. The audiences were the most loving (and loud) that I have ever experienced. Everywhere we went people were very gracious, and eager to help. It was a dream tour, and we all felt that we were resolutely home, burdened only by the practicalities of wondering how soon we could return.

We all enjoyed the Conan O'Brien Show, especially after the sinking loss of the Jimmy Kimmel Show being dropped. We only had one other free night to do the show, so Jimmy asked his booked guests 'Lady A' if they would switch their slot so that we could fit in; but they refused. Oh.

I now no longer expect to live long enough to experience an offer to record for a grownup label. This topic would not sound quite so banal had I not mentioned it 47 times already. I promise I will not mention it again. The world, I expect, will somehow endure, even as the follow-up to 'Years of refusal' grows less and less likely. End of subject. I promise.

I am very grateful to our new agency, William Morris Endeavor, for their astounding efforts to make this recent tour so enjoyable and triumphant. No management, no label, no promotion … all that we have are fantastic ticket sales. Which means you. And there is no greater thing worth having.

I have the most magnificent live crew on the planet. If I said my thanks forever it would not be long enough.

Thank you also to Kristeen Young for dragging her make-up case up and down life's highways once again. The growing dedication of so many people who travel from city to city to follow the tour proves to me that now is better and stronger than the past. My admiration for those who refuse to miss a single concert is almost too emotive to voice. Words fail me.

Well. As the year dies, I return to England to prepare for the High Court circus of the NME case. Instead of simply saying "sorry" (for re-writing the answers to my last NME interview in 2007 in order to make me sound racist), the imperious NME would rather spend hundreds and hundreds of thousands of pounds in a High Court duel to the death. The fact that they have chosen a court drama over simply apologizing reinforces the notion that their original intent all along was to invent a sensation. So, here it is. And it is difficult to imagine anything more tragic from a magazine with such a gold-plated history. Of course, the court hearing itself will barely touch upon the actual 2007 interview, and will instead attempt to link my name to almost any unpleasant historical incident from the Irish potato famine to the murder of Medgar Evers. With the help of their giddy fan base at The Guardian newspaper, now is the NME's big chance to scorch me off the human map for good. And what a triumph that would be for them. What a proud and eternal boast.

Oh England, oh England - is this all you have to offer?

Just very softly

MORRISSEY
London, December 2011

Morrissey is featured in PETA's Famous Vegetarians postage stamp series

Wed, 30 Nov 2011 17:21:18 -0500

30 November 2011

Morrissey is one of the 20 Famous Vegetarians featured in a U.S. postage stamp series produced by People for the Ethical Treatment of Animals.

PETA states: "The collector's sheet honors some of the world's most dynamic people throughout history who went vegetarian out of concern for animals, their health, or the environment ... Morrissey even called The Smiths' 1985 album Meat Is Murder — and he's still playing the title track live on his current U.S. tour."

Morrissey says: "I am delighted beyond words to be a PETA postage stamp. The rise and rise of PETA is the rise of common sense in modern society. Join the aims of PETA and join a better world."

For more information, and to order the postage stamps, please see http://www.peta.org/features/famous-vegetarian-postage-stamp-series.aspx

Statement

Sun, 06 Nov 2011 14:05:00 -0500

6 November 2011

Statement

At last week's court hearing Judge Tugendhat ruled in favour of Morrissey and against the NME in the NME's effort to prevent Morrissey taking them to court. The NME also wanted the Court to order Morrissey to pay over one hundred thousand pounds for their legal fees thus far, which was also unsuccessful. At the Application hearing, the NME were represented by a large number of lawyers, together with ex-editor Conor McNicholas. The NME's current editor, Krissi Murison, and Guardian music "writer", Tim Jonze, also provided written statements in support of the NME against Morrissey.

Strangely, and supported by the evidence of McNicholas, Murison and Jonze, the NME's lawyers argued that it would be unreasonable to expect them to remember the events of 2007, yet they went on to stress that if the case went to trial, they would wish to cross-examine Morrissey on events leading back not 3, but 19, years, to 1992, when the NME aggressively ran a "is Morrissey racist?" campaign.

In late 2007, Morrissey was interviewed by Tim Jonze for the NME with the promise from editor Conor McNicholas that the interview issue would include a free 7-inch single of Morrissey's version of David Bowie's "Drive-in Saturday". Both Morrissey and Tim Jonze were very pleased with the interview, which was very civil and courteous. Jonze immediately wrote to Morrissey's manager at the time (Merck Mercuriadis) saying that he found Morrissey to be "absolutely charming". In the midst of the exchange, McNicholas asked Morrissey to attend an NME Awards ceremony to collect a God-Like Genius Award. Morrissey politely declined.

Tim Jonze subsequently contacted Merck Mercuriadis in a rage, explaining that the NME editorial staff had taken his finished piece from him and had re-written it. Jonze explained that the re-write was unrecognizable from his original article, and that Jonze wished to entirely disassociate himself from the finished piece, and from the NME, leaving everyone with the clearest impression that he felt Morrissey had been treated very badly by the NME. When the interview appeared in print, Morrissey's replies and Jonze's questions had been altered, and the interviews heavily edited, in order to bring the issue of racism to the fore and to make Morrissey appear racist and hypocritical. In spite of Jonze's original outrage, he has now come out on the NME's side following legal proceedings being issued by Morrissey's lawyers.

Morrissey regrets the outcome of the interview with Tim Jonze, which only Conor McNicholas had the power to re-write. Morrissey believes that the NME's position is unsupportable, not least because the interview tapes exist and the printed interview transcripts exist and, on the examination of both, the conduct of the NME is there for all to see.

Furthermore, Morrissey's camp were subsequently told that following the printed interview, Conor McNicholas wrote to Love Music Hate Racism (on whom the NME had recently devoted an entire issue), and warned them that if they supported Morrissey in this dispute then they could forget about any further support from the NME.

Following the dismissal of the NME's Application, the Judge set a timetable for the case, which will now go to trial at the London High Court in 2012. Morrissey is represented by John Reid at Russells, and by David Sherborne.

Statement

Wed, 14 Sep 2011 16:02:24 -0400

14 September 2011

Tuesday September 13

Morrissey would like to stress that he has absolutely no affiliation with the site called Morrisseysworld, and that the views expressed on Morrisseysworld blog and Twitter page are not Morrissey's views, and do not come from Morrissey. Morrissey has no connection with this site. Please beware.

Morrissey would also like to stress that he has no association with the Warner release called 'The Smiths Complete'. This project has taken place without any consultation to Morrissey, and without any approach to Morrissey from either Warner, Rhino, or Johnny Marr. Therefore, Morrissey has no knowledge of the remixes, and has had no input in the project.

Morrissey would like to thank all of the people who have - so quickly - bought tickets for his November and December US tour, which he looks forward to very much.

Three new songs by Morrissey to be broadcast on the Janice Long Show this coming Tuesday

Fri, 10 Jun 2011 05:07:33 -0400

10 June 2011

Three new songs by Morrissey will be broadcast on the Janice Long Show on BBC Radio 2 this coming Tuesday.

They are :

ACTION IS MY MIDDLE NAME

THE KID'S A LOOKER

PEOPLE ARE THE SAME EVERYWHERE

April 30 statement from Morrissey

Sun, 01 May 2011 14:43:00 -0400

1 May 2011

April 30 statement from Morrissey

I'm sorry I made the Detergent O Leary radio interview so difficult but I was in a foul mood, having spent a full week surrounded by the royal dreading. England may very well be a Windsor dictatorship, but - PR Weddings aside, it is usually quite bearable.
If my Front Row (Radio 4) interview sounded chopped and cropped, that's because it was. I had spoken fluently about the royal dreading, but an Iranian censorship confiscated all of my views. It is distressing, but in all manner of British media in 2011 we are only allowed to hear the same old thoughts and feelings expressed over and over and over again.
During the week of the royal dreading, Poly Styrene died. Having made an enormous contribution to British art and sound – at a desperate time when so many of us needed her, Poly Styrene's death was all but ignored by the British television news media, who instead rained hours and hours of blubbering praise onto Kate Middleton – a woman about whom nothing is known on a personal level. The message is clear: What you achieve in life means nothing compared to what you are born into. Is this Syria??
To top off all the pageantry, 'Very best of Morrissey' (EMI/Major Minor) has yet to tunnel its way into what we older types refer to as Record Shops – six days after intended release. The gallant HMV has yet to stock it, and did not manage to stock the 'Glamorous glue' single until four days after its scheduled release. In fact, the CD of 'Glamorous glue' did not EVER make it to HMV. With 'Very best of' I face my first ever non-chart placing – which I shall bear with dignity, although I could never be unkind enough to express my views on EMI's failings. It was John Lennon who coined the phrase 'Every Mistake Imaginable'. I shall not repeat it here.
I am delighted that the June dates sold out so quickly. Beware, we are looking at four more: Copenhagen, Aarhus, Helsingborg and Stockholm.
The follow-up to 'Years of refusal' is ready and fluttering wildly against the bars. There is still no record label and the years shuffle like cards. My talents do not lie in DIY.
I shall be in Perth – older, but no wiser.
With thanks to True To You,

Morrissey.